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Maybe Jack Kerouac doesn't matter anymore. He's hopelessly dated, an anachronism, a punchline. Beyond baby boomer nostalgia, can the modern reader get anything from Jack's old book?
New York Times reporter John Leland thinks so. Leland, author of "Hip: The History," an analysis of the American anti-establishment position known as "hip," discusses the Beat classic "On The Road." His new book, "Why Kerouac Matters," has been released for the 50th anniversary of the novel.
"I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn't know who I was — I was far away from home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds."
- Jack Kerouac, On the Road,
"Mexico City Blues-Charlie Parker," read by Jack Kerouac, Steve Allen on piano. Click play button:
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