SAVE IT FOR LATER

The first time I heard this song was on shitty headphones in Nicaragua, in 1985. The cassette player belonged to the legendary Steve Krekel, a journalist out of Chico, CA, who was in the tropics making a documentary on the Sandinista revolution. Songs hook themselves to associations and live forever joined in our minds, and for me this song is welded to wise-cracking Steve in his baseball cap as well as corrugated tin roofs, ratty palm trees, soldiers in dark green, the Barrio Martha Quesada, gallo pinto, the sound of anti-aircraft guns mixing with fireworks, a wild parrot that wanted to kill me, a humorless german, a one-eyed blind man, and a bad case of amoebic dysentery contracted in Matagalpa.

I don't mean to trivialize the struggle and gravity of the situation--there was a war going on and people died and some became heroes and some became martyrs. My discomforts were trivial and I was out of harm's way--but there was a war going on and Reagan was sending guns and money and the CIA to undermine this tiny country that had the balls to overthrow a US-supported dictator. People had come from all over the world to help the Nicas rebuild, to show solidarity, to work for the revolution. Coming home that time, after six months in Latin America, I experienced a surreal sense of alienation when I discovered that the battle that captivated most Americans--North Americans, that is--was the war between New Coke and Classic Coke. It was like getting kicked in the head!

Strange how the mind works. Time, memory. Who would figure this song--and reaching across a wobbly card table to take a pair of headphones--would stick with me so long, and come to stand in for so many things? There's really no sense to it.


To truly appreciate this song you must experience it under similar conditions--or at the very least with a low grade fever. The first version is played by Pete Townshend, formerly of the Who, and the second is the original version by the English Beat, the song I heard a few lifetimes ago. Save it for later, like a memory.

Krekel, if you're out there and see this, drop me a note.

CEREMONY (1981)

"Ceremony" was written a couple weeks before Ian Curtis took his life in 1980, after which members of the band decided they could not continue as Joy Division -- so the song became the first single for New Order (backed by "In a Lonely Place"). This performance was recorded live at the Ukrainian National Home in New York City, in 1981. Mixing post-punk with electronic dance, which was to be their trajectory throughout the eighties, New Order had a string of solid hits. This was their first, but in a way it's really the last Joy Division song.