Showing posts with label ginsberg. Show all posts
Showing posts with label ginsberg. Show all posts

Tuesday, March 24, 2009

A BEATNIK SIT-COM


"Pull My Daisy" (1959) is truly beat cinema. The film is based on the third act of a Jack Kerouac play, Beat Generation, and features an all-star lineup of 1950s hipsters, Allen Ginsberg, Peter Orlovsky, Gregory Corso, and artists Larry Rivers and Alice Neel. The film was directed by Robert Frank and Alfred Leslie. Kerouac narrates.

The Beats put their stock in spontaneity and distrusted post-inspiration tampering. They believed art and poetry should spring from the mind fully-formed like Athena from the head of Zeus. Sometimes this method delivered inspired work, and other times it produced a half-baked shambling mess. This falls somewhere between the two, but is worth a look.

The story originally came from Neil Cassady, and is supposedly based on an actual event though it sounds more like an episode of a situation comedy. A railway brakemen entertains a respectable bishop. The brakeman's weirdo friends come spilling in the door, ruining everything. You know the type--mad to live, mad to talk, mad to be saved, never saying a commonplace thing. In other words, trouble. I keep expecting Fred and Ethel to drop by with a jug of wine and some bongos. Go, man, go!

quiet on the set: orlovsky, corso, and ginsberg

Friday, October 5, 2007

HOWL













Howl. On the website for Pacifica radio the other day you could hear Allen Ginsberg reading the poem "Howl," a landmark in literature of the twentieth century. You may have read it in a battered City Lights edition, or more recently in your Norton Anthology of Poetry in college.

I saw the best minds of my generation destroyed by
madness, starving hysterical naked,
dragging themselves through the negro streets at dawn
looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
connection to the starry dynamo in the machin-
ery of night,
"The occasion was the 50th anniversary of a court ruling that found the poem had “redeeming social importance” and was thus not obscene." NYTimes, Oct 4, 07.

But they didn't play the poem on the air, fearing the FCC's fines might shut them down. Another step backward for "freedom"? For extra credit, define "free."
Here's a link to the Pacifica broadcast "online" that they didn't air. http://www.pacifica.org/program-guide/op,segment-page/station_id,4/segment_id,469/